Locations for filming:

https://prezi.com/obiaft765ne8/locations/?utm_campaign=share&utm_medium=copy




This piece research and planning was completed by Tia Giove.

Music Video Recommendation:

A music video I would highly recommend watching would be Peter Gabriel's 'Sledgehammer' directed by Daniel Lanois. The main reason I chose this music video is that it is composed purely of stop motion animation and I find the way in which it seamlessly flows is captivating. The video features Gabriel lying under a glass table and all of the movement is done above the glass.

With our music video, we don't wish to produce a video made by using stop motion animation, but using raw footage. However, Gabriel's video gave us inspiration for a few ideas due to its artistry.

'The Kindest Cut' Theory applied to a music video: Sia 'Chandelier'

Below is a textual analysis of a music video I did in order for me to have an in depth look at what sort of edits and lighting etc are featured in music videos. 



Editing:

One of the first edits we see in the chandelier music video which draws attention to itself is the scene where a long shot is used to show the protagonist in the door frame, which then cuts to a close up of her feet after she jumps to the floor. This clearly draws attention to the edits.

In addition to this, the editing in the video is particularly sharp and the shot type rapidly changes. For example, when it goes from a close up on the protagonists face to a master shot. This creates a voyeuristic feel to the video as if we are 'spying' on the girl.

Jump Cuts:

Throughout the video, jump cuts are used to create the overall mood of the video as well as reflecting the true emotion behind the song. For example, jump cuts are most commonly used in Chandelier to show the change of pace within the the song. This is a prime example of the music working alongside the video.

Moreover, jump cuts are frequently used in the video to show the protagonist's different facial expressions and also how quickly one person's mood can alter. When taking Marjorie Feruson's (1980) categorisation of facial expressions theory into account, Chandelier subverts this theory as more than one facial expression is used, so therefore Chandelier does not fit into one of Ferguson's sub categories.

Camera movements and noticable shots:

When the protagonist dances around the room, the camera seems to dance with her, tentatively following her and zooming in on particular limbs.

The camera shots are also sped up during the chorus which will have been edited during post-production. High key lighting is also used during the chorus's which connotes that there is a feeling of hope for the depressed protagonist.

Mastershots:

In Chandelier master shots are frequently used throughout. The most common use of master shots in the video are when the protagonist is dancing or is changing location. Often, when the location in the video changes, the saturation changes- usually from low saturation to high saturation or vice versa.

Carol Vernallis: 'The Kindest Cut' theory

Richard Dyer- The Star Theory

Music Video Regulations

Laura Mulvey- The Male Gaze Theory (1975) & Textual Analysis

From this textual analysis I was able to understand how music video producers use female characters to create seductive imagery as well as how they use it to target a specific audience. This greatly helped me as I was then able to take into account how to incorporate this in to my own video if I chose a song/genre this would fit in.